KINO SAN’ATI RIVOJIDA RASSOMNING O‘RNI

Authors

  • Salim Madartov National Institute of Fine Art and Design named after Kamoliddin Behzod, teacher of the "Theatre decoration painting" department Author

Keywords:

cinematographer, dramaturgy, pavilion, set design

Abstract

In this article, the role of the cinematographer in the creation of a film is analyzed on the example of the created films. Also, the shortcomings in this direction are analyzed separately

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References

Bordwell, D. (1979). The art cinema as a mode of film practice. Film Criticism, 4(1), 56-64.

Baumann, S. (2001). Intellectualization and art world development: Film in the United States. American Sociological Review, 404-426.

Gaut, B. (2010). A philosophy of cinematic art. Cambridge University Press.

Maxmudov, M. J. (2023). Tasviriy san’atda kompozitsiya qonuniyatlari. O'zbekistonda fanlararo innovatsiyalar va ilmiy tadqiqotlar jurnali, 2(20), 13-19.

Kushbakova, M., & Ozodbek, N. (2020). The importance of electron resources in historical research. Proceeding of The ICECRS, 5.

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Published

15.12.2023

How to Cite

[1]
Salim Madartov, “KINO SAN’ATI RIVOJIDA RASSOMNING O‘RNI”, SSAI, vol. 1, no. 4, pp. 11–16, Dec. 2023, Accessed: Nov. 22, 2024. [Online]. Available: https://bestjournalup.com/index.php/ssai/article/view/223

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